The script of the film is built around the story of a young girl Altyn, who came from the village to the city to study and immediately fell into a cycle of tests of life, but was able to overcome all the difficulties because of her strong inner will and faith. In the film we see a three-level visual space: the upper level - the majestic snow-covered alpine expanses (syrt), as if the embodiment of timeless beginning of life, where from ancient times Altyn’s ancestors were shepherds and kept yaks. The middle level, the countryside, is subject to the faster flow of time; and the lower level, the capital city with its bustle and vices, where Altyn arrives after school. The whole plot of the film revolves around the desperate circumstances in which Altyn finds herself: the betrayal of a boyfriend, an unexpected pregnancy, which is not welcomed by the moral norms of society. She is under constant pressure from her sister and her inner circle, who force her to have an abortion or illegally sell her child. But Altyn resolutely resists these encounters alien to her soul: stereotypes, manipulation, and a vicious lifestyle, the cult of consumption and money that has engulfed modern civilization. Through her behavior, she sets example of incorruptibility and a strong inner spiritual core.
The visual and moral symbol of the film is a small yellowish bird- a mountain wagtail. It runs through main storyline and flashbacks, accompanying the film's protagonist from her childhood to her first teenage love in the city, the upheavals, the separation, and finally her return to the snow-white peaks of Mongu-Ata.
Accordingly, the main plot and dramatic conflict knot occurs between the two sisters, Altyn and Saira.
The two sisters are psychologically antipodes: Saira, confident and daring, resolute and believing only in success and power, and Altyn, quiet and brooding, outwardly mild and even fragile, but inwardly resistant, brought up by the harsh pastoral life and the extreme climate of the mountain glaciers...
There are also two complementary themes in the film: on the one hand, the disappearance of traditional way of life and values of the Kyrgyz people embodied in the image of the yak shepherd, the old man Bayaly and his wife Sheker. Like the melting of the Mongu-Ata glacier as a result of an ecological catastrophe, Bayala and Sheker's generation is passing away. On the other hand, the theme of the ecological, natural, and moral catastrophe occurring in society as a result of the cult of money and consumption that has undermined modern civilization.
Thus, the film warns, in dramatic form, of the current cultural and spiritual crisis of the world and man, while affirming, nevertheless, the possibility of hope for renewal.
"Best Feature Film"
► Directed by: Begaly Nargozuev